Brooke Josephson
Your project has entered in our
festival. What is your project about?
Brooke Josephson
– Good Kinda Tired – Official Music Video follows singer
songwriter, producer, Brooke Josephson, as a 1960s housewife in a vintage gown
and robe with her hair in curlers, ironing men’s dress shirts with a pile of
laundry on the sofa waiting to be folded with the TV on at night. It’s the end
of “her day” and she’s working after she’s tucked her children in bed, treating
herself to a martini and the “Ed Sullivan show”. Suddenly on the TV is Brooke
as a 1960s rocker chic with her guitar singing “Good Kinda Tired”. She jumps on
the bed, throws the laundry in the air, sings into her can of scotch guard, and
embraces the energy of the song. Finally, her husband comes home from a day of
work with his briefcase and suit. He joins Brooke on the bed as they fall back
ending the night on a high note and their “Good Kinda Tired”.
What are your ambitions with your project?
I am passionate about writing empowering songs inspired by my own
life. When I teamed up with Director Michelle Bossy, for the music video for
the song “Good Kinda Tired,” I had recently spent 6 weeks with my family where I
did laundry almost every day in between family activities. Michelle and I discussed
how women were once taught that their measure of success is finding a man,
raising children and being a “good wife” but that began to change in the late
1960s where women began to liberate themselves and take ownership over their lives
and careers. Together we came up with the concept of the video to represent
both the 1960s housewife and the rocker chic duality that I juggle in my
everyday life today and what is a “Good Kinda Tired” for me personally and many
women in this generation who are juggling motherhood and a career at the same
time. Michelle and I also included the husband’s perspective of putting in a
hard day’s work to come home to his partner where they have each other’s backs
and celebrate their individuality and love for each other.
Tell us something about your shooting? What pleasantly surprised you?
We
found a location in Los Angeles, Honeymoon Inn Studios, with a prebuilt 1960s
house interior that also had the bathtub featured in the music video that
wasn’t originally part of the storyboard. The Director, Michelle Bossy wanted
to incorporate it into the video, however, the location had a strict “no water
or bubbles in the tub” policy. During the wardrobe fitting the day before
filming when the costume designer, Devon Bartel was fitting Brooke in the disco
ball dress for the “Ed Sullivan” look, she turned to the Director and Brooke
and said, “why can’t you have a bath full of disco balls?” Everyone loved the
idea and Devon spent the afternoon the day before filming going around town
buying up disco balls in every size for the bathtub tableau and it became a
crowd favorite feature of the music video.
For what group of spectators is your film targeted?
This
music video is geared towards women from their teens looking for a female role
model into adulthood, as well as men in the workforce putting in a “Good Kinda
Tired”
Why should distributors buy your music video?
The
song is a catchy, commercially driven tune and the music video is a clever and playful
concept that reflects the empowering lyrics.
How would you specify your work? What characterizes your music video?
I primarily
write inspiring and empowering music then marry the lyrics to the visual in creative
ways that address real issues inspired by my own life.
Why did you decided to become a music video maker?
It’s
a powerful artform that tells a story in under 4 minutes, set to music, where
you can take creative liberties outside of the literal framework of a short
film script.
Who is your role model?
I
have several role models who have influenced my journey as a writer and
producer. From Carole King, Joni Mitchell, Annie Lennox, Brandi Carlile, Patti
Smith, Alanis Morissette, Shania Twain, Dolly Parton and Gwen Stefani. All
these women have been a beacon for women’s voices. I love that Gwen Stefani
took time off from her career to raise her kids and got the call from NBC to be
a judge on the Voice while she was driving her kids in her minivan and how she
balanced her role as a mom and artist while facing a humiliating and public
divorce then rose like a Phoenix from the ashes.
Which movies or music videos are your favorites? Why?
I
love Alanis Morissette’s music video for her song, “Ironic”. It’s fabulous that
it’s set in the dead of winter and reflects her grit as a woman who will not be
deterred by the natural elements of snow all over her car and fearlessly faces the
icy roads. The video isn’t a generic female pop artist formula selling a sexy
solo artist objectifying herself by washing a car in a bikini. It’s a spot-on
metaphor for women in the world told to behave and stay in their lane and not
venture out. Then, the surprise of her looking in the rearview mirror and
seeing herself in the backseat is simply the best. The smile on her face is
just so cheeky and how she performs each version of herself in the car unapologetically
reflects the dynamic range of her personality. This feature is just so
inspiring to see someone embrace all facets of who they are and is one of my
favorite examples of music video making and proves you can create a masterpiece
without spending a ton of money.
Where do you look for inspiration for your projects?
I start
by zooming out wide to take into consideration what is happening globally then zoom
into my own life and try to visually reflect the song in a way that is personal
but with an refreshing universal message. I also take into consideration what’s
been done before so I can give the audience a fresh visual. We actually discussed
doing a music video in a laundromat, but it’s been done so many times I knew we
could raise the bar and come up with something clever and authentic to my voice
and message as an artist.
Which topics interest you the most?
Women’s
equality and empowerment. I watched my mother raise my three brothers and I
while running my father’s company without help juggling the household and the
company for 35 years and she never got a paycheck for her work. When they
ultimately divorced, he didn’t respect all the years of work she did and tried
to drag the divorce out for seven years. This whole notion that women are less
than left a huge impact on me, as well as the fact that I was on my own as soon
as I turned 18, so I had to put myself through college and pursue my career
without his help. I have been very passionate about using my voice, songwriting
and producing talents to inspire and empower women, especially now as a role
model for my daughter.
What do you consider your greatest achievement in your career?
Being
an independent singer songwriter and producer. As long as I show up and put in
the work, no one can take that away from me. I have encouraged my daughter that
her value and self-worth is not defined by fame but in hard work, resilience, and
authenticity.
What do you consider most important about filming/music video making?
The
visual storyline is key with a beginning, middle, and end.
Which film technique of shooting do you consider the best?
It
depends on the story you’re telling. I have used drone on a few music videos at
certain moments. I also heavily used green screen on the music video for my
song, “Rainbow” since we shot it during the pandemic over three days using the
covid compliance issue on set to lean into green screen to safely and
creatively tell a story that reflects the moment of time we were facing
globally.
How would you rate/What is your opinion about current filmmaking/music
video making?
I think
as an independent artist/producer that the music videos I have produced are
high quality and creative without the influence of a major label.
Who supports you in your film career?
I
independently fund my projects.
What are the reactions to your music video? (opinion of spectators, film
critics, friends and family)
This
latest music video, Brooke Josephson – Good Kinda Tired – Official Music Video
has received rave reviews by several music publications.
“Its accompanying video is the cherry atop an already delectable cake.” -VENTS Magazine
“The makeup, hair, and costumes are especially apt and the promotional clip’s conceptual trappings do an excellent job of complimenting the song’s subject matter.”
-Pop Icon Magazine
“Her video for the song is a masterwork in miniature.” -Hollywood Digest
“The camera loves Josephson. She is, without question, a physically stunning woman and director Michelle Bossy does a great job capturing her beauty for viewers. The more significant attribute that comes through, however, is Josephson’s obvious affinity for physical performance.” -Indie Pulse Magazine
Have you already visited any of the film festivals?
I
have not attended any of the film festivals in person yet. I plan on attending
the upcoming Mammoth Film Festival in California the end of February that will
be screening the music video.
What are your future plans in music video making carriere?
I
love collaborating with my Director Michelle Bossy and my dream team of Jed
Olmedo (hair & make up), Devon Bartel (wardrobe), Rose Krol (set design) Seth
Fuller (DP), and James Swartz (Gaffer). I can’t wait to continue creating music
videos with them on my upcoming releases. We have way too much fun working
together and have an endless source of creativity that I can only imagine the
next music video concept we will create.